X-Men: The Last Stand (Powell, 2006)

Trk	Title, Narrative
1	20 Years Ago (Xavier and Magneto Meet Jean)
2	Bathroom Titles (Warren's Wings Discovered, Titles)
3	The Church of Magneto (Magneto's Warning)/ Raven Is My Slave Name (Mystique in Van 1:16, Hank's Copter Lands)
4	Meet Leech (Hank's Hand) / Then Off To the Lake (Scott on Cycle 1:19, Eye Blasts Lake)
5	Whirlpool of Love (Whirlpool and Jean Appears, Bad Effects)
6	Examining Jean (X-Jet Arrives, Storm & the Mist)
7	Dark Phoenix (Xavier Speech on Jean's Blocks)
8	Angel's Cure (Warren at Lab, 2nd Thoughts, Flight)
9	Jean And Logan (Jean Wakes, Seductive w Logan)
10	Dark Phoenix Awakes (Heating Up, Stopped, Jean Back)
11	Rejection Is Never Easy (Jean Remembering the Lake, Lab Destroyed)
12	Magneto Plots (Eric & Cure Gun, Xavier Alarmed 0:46, Jean's Old House 1:35)
13	Entering the House (Boiling Water, Jean Mad)
14	Dark Phoenix's Tragedy (Struggle w Xavier, X-Men Attack, Xavier Smokes)
15	Farewell To X (Charles' Last Message, Dies)
16	The Funeral (Sad Aftermath, Funeral)
17	Skating on the Pond (Bobby & Kitty Skate)
18	Cure Wars (Bobby v Pyro, Mutant TV Tension 0:55, Army at Worthington Labs 1:45)
19	Fight in the Woods (Logan v Mutants, v Magneto 1:40)
20	St Lupus Day (Magneto Rallies Army, X-Men Prepare, X-Jet Thoughts 2:25)
21	Building Bridges (Golden Gate Bridge Takeover)
22	Shock And No Oars (Magneto Moving the Bridge)
23	Attack on Alcatraz (Mutants v Army at W Lab, X-Jet Arrives 2:35, Mutants Charge X-Men 3:42)
24	Massacre (Juggernaut Pursued by Kitty)
25	The Battle of the Cure (Kitty Taunts Juggy, Taking Out Eric 2:40, Army Attacks Jean)
26	Phoenix Rises (Jean Attacks Army, Logan Approaches Jean 2:28, Logan Kills Jean 3:04)
27	The Last Stand (Graves, Rogue Returns Cured, End Titles 3:26, Phoenix Theme 4:50)

     For the third X-Men film, John Powell picked up where John Ottman left off (who had continued on from Michael Kamen's score for the first installment).  Powell created new themes but somewhat retained some of the rhythmic ideas featured in the previous film scores, most notably in the X-Men "march" rhythm and a development of the "love" theme for Jean (represented by the superb Phoenix theme).  Parts of the Jean/Phoenix theme are used in several variations to represent the beauty and destructive power of the Dark Phoenix, Jean's uncontrollable, near-omnipotent alter-ego.  The Jean/Phoenix theme is presented in a uniquely-glorious version as she kills Xavier and also when she fights Logan at the ending climax.  These pieces are rightfully heralded as some of Powell's best film cues ever.

     Some of the intertwining themes in the score include the following:

• X-Men theme: Zig-zagging upwards in 4 phrases (3rd phrase somewhat quotes a previous X-Men theme motif), then a syncopated rising-falling B theme and ending fanfare.
• Phoenix theme: Sweeping and romantic theme, fateful and epic.
• Phoenix "flange" motif: a somewhat droney, flanging wind texture, representing the dangerous dark power of the Phoenix.
• Alcatraz motif: short, fateful rhythmic motif, often paired with the Phoenix theme.
• Golden Gate Bridge fanfare: soaring brass fanfare.

Detailed Breakdown

Trk	Dur	Title	Film Sequence
1	1:10	20 Years Ago	Xavier and Magneto arrive at Jean's home in the suburbs (X-Men theme in high strings becoming inviting and friendly).
2	1:09	Bathroom Titles	0:00: Worthington finds his young son Warren in the bathroom with feathers around his feet.  He realizes his own son is a mutant.  0:23: Main titles over montage of lab work and DNA imagery (march into X-Men theme).
3	2:40	The Church of Magneto	0:00: (Alternate) Magneto warns a gathering of mutants that the government will exterminate them.  He finds some allies and begins building his new army.
		Raven Is My Slave Name	1:16: Mystique is held behind bars in a moving trailer truck.  She alters her appearance several times to taunt the guard and then threatens to kill him.  Hank's helicopter arrives at Worthington labs to meet the "cure" (ends with hint of Alcatraz theme in high strings).
4	2:37	Meet Leech	0:00: Hank is taken to Leech, who can suppress mutant powers. 0:43: Hank is moved when he sees his reverted non-furry-blue hand.
		Then Off To the Lake	1:19: Scott rides a motorcycle to Alkali Lake in search of Jean (X-Men theme variation in brass). 1:49: Scott hears Jean's voice.  In frustration he eye-blasts the surface of the lake.
5	2:04	Whirlpool of Love	0:00: A whirlpool forms in the lake and an explosive blast knocks Scott off his feet (Phoenix theme begins).  Jean appears before him and they embrace.  Jean takes of Scott's glasses and tells him that she can control his optic blasts now.  He slowly opens his eyes and they kiss... 1:55: Suddenly Scott becomes "negatively affected".  Back at the school, Xavier is suddenly struck with alarm.
6	1:12	Examining Jean	The X-Jet arrives at Alkali Lake (X-Men theme fragment in low brass).  Logan and Storm encounter bizarre physical phenomena (Phoenix flanging wind motif).  Storm disperses the mist.
7	1:28	Dark Phoenix	(Alternate mix) Back at the school with an unconscious Jean, Xavier explains to Wolverine that he had put psychic dampeners in Jean's mind to control her "Dark" Phoenix personality.  Logan is upset that Xavier has played with Jean's mind.  He leaves as Xavier continues trying to repair the psychic barriers he had put in Jean's mind.
8	2:34	Angel's Cure	0:00: Warren arrives at his father's lab.  After being strapped down, the doctors prepare to give him the cure injection.   1:38: He changes his mind and breaks free.  He flies out the window (Golden Gate bridge fanfare).  Leech sees Warren in the sky soaring away.
9	1:39	Jean and Logan	Logan looks on as Jean suddenly wakes up and grabs his arm.  A seductive Jean flirts with Logan (Phoenix theme begins in ethereal choir).
10	1:45	Dark Phoenix Awakes	0:00: Things heat up, but Logan eventually stops her.  When he mentions Xavier, Jean becomes menacing and taunts Logan (brief Phoenix flanging texture). 1:02 Logan asks Jean about Scott and Jean changes back to her "good" Jean personality.
11	1:09	Rejection Is Never Easy	Jean has a flashback about the lake and starts psychically tearing apart the room.  Jean begs Logan to kill her before she kills again.  The Phoenix persona resurfaces and blows the door off the room as she escapes.
12	2:05	Magneto Plots	0:00: (Alternate) In his underground lair, Magneto examines the "cure gun".  One of his mutant allies (Callisto) informs him that she senses Jean's newly-reawakened power (Phoenix theme).  0:46: At the school, Logan tells Xavier that he thinks Jean killed Scott, and Xavier worries that she may already be too strong to be stopped.  They rush to Jean's parents' house. 1:35: Xavier runs into Magneto outside of Jean's parents' home and they approach together, as the X-Men and Magneto's mutant allies wait outside.
13	1:18	Entering the House	They find boiling water tanks and floating objects (swirling strings, Phoenix flange texture), and then Jean.  They each try to engage Jean to their cause.  Jean/Phoenix becomes angry.
14	3:18	Dark Phoenix's Tragedy	0:00: Jean starts causing more psychic destruction as Xavier tries to convince her to calm down and let him help her.  0:34: The X-Men engage Magneto's mutants.  1:18: Xavier engages Jean in a psychic battle (Phoenix theme developed).  Jean levitates the house, as well as Xavier's wheelchair.  Xavier begins smoking.
15	0:30	Farewell to X	Xavier exhorts Jean to resist, and is then disintegrated.
16	2:52	The Funeral	0:00: Magneto finds Jean alone and they leave together (somber Phoenix theme variation in strings).  Logan and Storm find Xavier's empty wheelchair in the destroyed house and grieve. 1:08: Xavier's empty wheel chair pans to his funeral on the school lawn, as Storm delivers the eulogy (romantic variation of X-Men theme in strings/brass).
17	1:12	Skating On the Pond	Bobby takes a depressed Kitty to a pond so that she can ice skate (playful variation of X-Men theme in high winds).  Rogue sees them and becomes upset.
18	2:57	Cure Wars	0:00: Bobby and Pyro have a confrontation in front of a Mutant Cure demonstration.  Pyro attacks a building. 0:55: Magneto makes ultimatums on TV.  The President considers his next move.  He decides to go to war with Magneto's army. 1:45: Military forces amass at the Worthington cure manufacturing facility.  Rogue gets in line for the cure.
19	3:06	Fight in the Woods	0:00: Logan tries to track down Jean in the woods.  He fights Magneto's mutant guards and dispatches them (X-Men theme developed in brass). 1:40: As Magneto rallies his mutant army, Logan locks eyes with Jean (Alcatraz/Phoenix theme).  Magneto pins Logan to a tree.  He tells him that Jean is with him willingly, and then magnetically propels Logan away.
20	3:03	St Lupus Day	0:00: Magneto makes plans to attack the Worthington cure lab on Alcatraz. 0:20: Logan returns to the school and asks for help.  The X-Men prepare to defend the Worthington lab. 1:03: Logan rallies the nervous, younger X-Men.  Storm hopes that Logan will be ready to do what's necessary when the time comes.  They launch in the X-Jet (brief X-Men theme march). 2:25: Inside the jet, the heroes think silently to themselves (soft, reflective X-Men theme in strings).
21	1:16	Building Bridges	Magneto halts traffic on the Golden Gate bridge (militaristic rhythm with brass and brief Phoenix flange texture).
22	1:15	Shock and No Oars	Magneto magnetically lifts the bridge into the air and re-positions it to connect to Alcatraz.
23	4:36	Attack on Alcatraz	0:00: Magneto and his army approach the Worthington lab.  Soldiers engage them with Cure guns.  1:40: Arclight takes out the plastic weapons with a shockwave.  The X-Jet approaches.  Magneto's mutants invade the base. 2:35: The X-Jet lands on the roof of the lab (X-Men march and B theme developed).  Storm uses her lightning on Magneto's army to create a clearing.  Logan has the X-Men form a line to organize the defending soldiers. 3:42: Magneto's forces charge and engage the X-Men (X-Men theme developed).
24	0:31	Massacre	Juggernaut heads into the crowd to search out Leech within the lab.  Kitty pursues him.
25	4:20	The Battle of the Cure	0:00: Kitty handles Juggernaut by making him chase her. 0:51: A small team of Magneto's mutants attack the lab staff, including Worthington and the female lab technician.  1:34: The X-Men continue fighting outside (X-Men themes developed). 1:51: Worthington is dragged to the roof.  Kitty meets Leech.  They trick Juggernaut into running into a wall and knocking himself out. 2:40: Wolverine, Colossus and Beast form a plan to take out Magneto with the Cure.  Colossus propels Logan towards Magneto to distract him.  Beast hits Magneto with cure syringes from behind. 3:10: Magneto loses his powers and falls.  He calls out to Jean.  Logan and Jean's eyes lock, as Logan tells her that "it's over" (relaxed Phoenix theme).  Unfortunately soldiers arrive and shoot at Jean but she destroys the cure-bullets.
26	4:21	Phoenix Rises	0:00: Jean rises into the air and begins disintegrating the soldiers (and causing general destruction to Alcatraz Prison) (Alcatraz theme). 1:06: Logan realizes that he's the only one who can stop the Dark Phoenix (Phoenix theme developed with drums/chanting female choir).  Destruction continues and water spouts erupt around the island.  2:28: Logan approaches Phoenix, as his mutant powers enable him to resist Jean's destructive power (sweeping Phoenix theme). 3:04: Phoenix asks if Logan would die for "them", and he replies that he would for her.  Logan kills Phoenix/Jean.  The water spouts fall as Logan feels grief.
27	5:29	The Last Stand	0:00: Jean, Scott and Xavier's graves are visited by Kitty and Storm (pastoral X-Men theme development begins). 0:42: Bobby finds that Rogue has returned but without her mutant powers ("cured").  Storm greets Leech as he enters the school, and Logan watches the TV report as Hank becomes a diplomat for humans and mutant-kind.  The camera pulls back over the destroyed Golden Gate bridge and into the sky (Golden Gate bridge fanfare). 2:50: Magneto is seen playing chess, as his powers seemingly begin to return. 3:26: End titles:  X-Men march theme. 4:05: Main theme coda (transition) 4:28: Slow march intro to Phoenix theme 4:50: Phoenix theme

Links
John Powell Wiki Entry
John Powell IMDB Entry
X-Men: The Last Stand Filmtracks Review
X-Men: The Last Stand Moviewave Review

The Bourne Identity/The Bourne Supremacy (Powell, 2002/2004)

The Bourne Identity
     John Powell was asked to score 2002's "The Bourne Identity" on very short notice and with a very small budget, and thus created a very lean, electronica-based soundtrack.  Later in production, some additional funds were found for live strings, and this would ultimately produce the signature "Bourne" sound.

     The plot of the "The Bourne Identity" revolves around Jason Bourne's search for his identity after being found at sea as an amnesiac.  He finds he has "secret agent skills" and with the help of the friendly Marie, is able to find out who he was.  The middle part of the film finds Bourne pitted against various assassins who have been assigned to eliminate him.  Eventually he faces his original commander and manages to extricate himself from the life of a trained killer.

     Theme-wise, the Bourne films depend on only a few major melodic ideas, but skillfully develop them on various electronic and instrumental textures.

• Bourne theme: winding theme opening with a falling figure.
• Bourne ostinato: 8-accent (sometimes 6), double-stroked staccato theme, often developed with a leisurely bass line similar to Treadstone figure.
• Treadstone theme: guitar-driven, somewhat "rock" theme.

Trk	Dur	Title	Film Sequence
1	4:20	Main Titles	A floating body is sighted and recovered at at sea on a rainy night, main titles, the ship's doctor cuts off Bourne's wetsuit to reveal bullet holes. Bourne theme in bassoon over strings, rhythmic Bourne ostinato in marimba/strings/slams/percussion, various string themes in layers, ending with bassoon Bourne theme reprise.
2	1:21	Bourne Gets Well	Bourne helps out on the fishing boat and tries to recover his memory. (followed by 5) Held violins/ambient electronics, joined by bassoon theme/electronic percussion/strings.
3	2:12	Treadstone Assassins	Conklin inspects surveillance tapes looking for Bourne.  He orders assassins to take out Bourne.  Agents around Europe are activated. (followed by 7) Falling Treadstone theme in synth/piano/guitar, developed with drums/synth/organ/strings, joined by violin counter melody.
4	4:07	At The Bank	0:00: Bourne opens a safe deposit box and finds his ID. Low textures/layered string figures. 1:00: In a hidden drawer he finds ID for several other identities, money and a gun.  He leaves the bank, and is followed. Bourne ostinato in low rhythmic strings/low winds, joined by Bourne theme in violins, percussion, Bourne ostinato joined by violins, bass/electronica.  2:53: (Alternate) Bourne heads towards the American embassy to lose his pursuers. (followed by 6) Electronics/percussion joined by rhythmic strings/drums, synth, ending in string accents.
5	1:42	Bourne On Land	After leaving the French boat, Bourne gets on a train, wondering who he is.  He arrives at a dark snowy street. (followed by 4) High rhythmic textures, joined by rhythmic strings/synth/piano theme.
6	3:13	Escape From Embassy	0:00: Bourne disarms some guards at the American embassy and runs, taking out people as he goes.  Bourne proceeds up stairs and is tracked by soldiers.  Electronics/percussion into industrial/tribal synth/drums with ethnic string accents/Treadstone theme in synth/organ, building string accents. 1:54: (Alternate) He makes it to a fire escape and escapes by clinging to the wall. (followed by 3) More subdued electronics/percussion, joined by steel drum ostinato layers, ending in strings.
7	1:31	The Drive To Paris	Marie drives Bourne at night. Ambient textures with wordless male vocal, rhythmic marimba/string swells/bends.
8	3:27	The Apartment	0:00: Bourne is attacked by a blonde Treadstone assassin.  The assassin goes out the window.  Bourne tells Marie they must leave immediately. Electronics/drums action groove developed through various dynamics/slams/strings. 1:47: Bourne helps a stunned Marie leave the building.  Low piano/strings/col legno accents/percussion, joined by string accents/ambients. 2:39: Nicky reports to Conklin that their assassin is dead. Electronics/percussion with subtle Bourne theme elements. (followed by car chase scene with Paul Oakenfold - Ready Steady Go)
9	1:31	At The Hairdressers	After Bourne dyes and cuts Marie's hair, they get intimate. Low ambient textures joined by marimba tremolo/acoustic guitar/strings.
10	2:12	Hotel Regina	0:00: Bourne prepares Marie to enter the hotel to get info.  Marie enters the hotel to recon the room. Playful electronics/percussion/synth, joined by synth bass "mission" figure, snare, etc. 1:31: Bourne calls Marie inside the lobby for intel, but there is no answer (she meets him outside). Bourne ostinato in strings developed. 1:46: Unused. Fast percussion/electronics.
11	1:41	The Investigation	0:00: Nicky learns that the police have found Bourne's car.  A dark-haired assassin (the Professor) gets a message from Conklin. Synth groove with high metallic percussion motif/drums, joined by strings/bass/electronics. 1:21: Bourne pursues a lead in Paris and enters a building. Bourne ostinato in strings, string harmonics.
12	3:44	Taxi Ride	Bourne deduces that he was an assassin who failed in killing a dictator.  They ride a cab in silence.  Bourne stops the cab and escapes when he sees police ahead waiting at their hotel.  Marie begins to freak out, but Bourne calms her down. Reflective/somber Bourne ostinato extended variation/ambient textures developed with acoustic guitar/drum/percussion and synth groove/extended.  Bourne ostinato in strings, electric guitar arpeggios/ambient bass pulses.
13	2:55	At The Farmhouse	0:00: In the morning, Bourne senses that something is wrong at the farmhouse.  Bourne begins arming himself. Percussion/electronics rhythm joined by extended Bourne ostinato in strings, developed with accents, drums. 1:35: Bourne blows up a gas tank to create smoke cover and walks into the woods.  The Professor fires on Bourne and pursues. Tribal drums/percussion with synth ambients.
14	3:05	Jason Phones It In	Bourne calls Treadstone and asks what's going on.  He tries to set up a meeting.  Conklin prepares to eliminate him at the meeting. Vibraphone-driven rhythm with male vocal humming, joined by strings/female humming/percussion/synth/acoustic guitar scrapes, synth/percussion/acoustic guitar groove with piano figure, string, synth.
15	3:45	On Bridge Number 9	0:00: Conklin boards a plane to Paris.  Bourne approaches the meeting place bridge as Conklin gets armed up.  Bourne surveills the location as Conklin's men check in. Electronics/synth/percussion, rhythmic strings into groove with Bourne theme elements, Bourne ostinato in strings, developed in marimba/percussion groove with strings, piano, electronics/percussion/violins joined by low swells. 2:24: Bourne cancels the meeting and puts a tracker on Conklin's car.  Conklin calls Nicky.  Conklin enters his local office as Bourne observes.  Another assassin arrives. Accented/delayed electronics/synth/percussion with accented string rhythms/figures, ending in ambients/strings.
16	2:21	Jason's Theme	Unused.  Ambient electronics/electronic drums/synth bass, developed with strings/drums.
17	3:37	Mood Build	Unused.  Electronic drums/synth bass with wordless male humming/soft strings, developed with ambient "dub" electronics/drums.
18	5:59	The Bourne Identity	Unused. 0:00: Held strings joined by distant Bourne theme in electric guitar, children's choir/delayed drums, Bourne theme element in bass groove with electronic ornaments, developed drums, intercut with tribal drum groove, synth bass variation of Treadstone theme 3:38: Treadstone theme variation in synth bass/vibraphone/string textures/electronics, joined by electronics/drums, Bourne theme fragment in bass joined by falling ambient textures.
19	2:16	Drum And Bass Remix	Unused, remix of "At the Bank" part 2.  Bourne bass fragment groove with col legno strings/electronica, bass synth/electronics, Bourne ostinato in strings, accents.

The Bourne Supremacy
     John Powell also scored 2004's sequel, "The Bourne Supremacy", and basically developed elements from the first film, adding some new electronic and string textures.  Perhaps most importantly however (at least for fans of the first film), the sequel soundtrack included the end title theme song from the first film, Moby's "Extreme Ways".  Plot-wise, Bourne is framed for a murder in order to cover up an internal CIA issue, but is eventually exonerated.  The assassin Kirill kills Bourne's girlfriend (Marie from the previous film), but Bourne eventually dispatches him at the end of an involved tunnel car chase.

Trk	Dur	Title	Film Sequence
1	3:00	Goa	0:00: Main title, Bourne has images of a Treadstone mission in a dream.  Held strings with hint of Bourne ostinato/slams, Bourne theme variation in bassoon, electronics. 1:12: Bourne and Marie enjoy life near a Goa beach.  Marie looks at Bourne's notes about his possible past. Percussion/acoustic guitar groove with guardedly upbeat strings/electric piano, percussion solo/synth textures.
2	3:43	The Drop	0:00: CIA chief Landy monitors a sensitive operation. Electronics/percussion/ambient textures/low strings/timpani accents, Bourne ostinato variation developed. 1:21: Kirill arrives.  He sabotages the operation and kills Landy's operatives (framing Bourne). Rhythmic string accents join the Bourne ostinato variation, also ambient percussion/string swells, joined by leisurely Bourne bass theme, drums developed, strings gradually relax, percussion.
3	2:21	Funeral Pyre	Bourne burns all of Marie's records and leaves Goa with a gun. Poignant strings joined by soft piano chord accents, rising modulations/ambient textures, joined by martial drum groove.
4	1:55	Gathering Data	Landy begins digging into Treadstone and Jason Bourne on her computer. Electronics/percussion groove joined by bass synth groove/rhythmic/col legno strings, ending on hint of Bourne in winds.
5	2:40	Nach Deutschland	Landy picks up Nicky in Amsterdam on the way to Berlin.  Bourne drives to Naples.  Landy lands and Nicky gives her a warning about Bourne. Vibraphone/hihat rhythm joined by Bourne ostinato variation in strings/piano ornaments, distant percussive synth motif, bass groove with string accents/metallic and ambient synth textures, soft violins/drum accents.
6	5:32	To the Roof	0:00: Bourne drives to Berlin.  He tracks down Landy's hotel and enters the lobby.  He observes Landy when she leaves. Treadstone theme groove in guitar with ambient textures/rising strings, developed into a subtle groove, drums/percussion, then developed on accented strings, Bourne ostinato in strings, developed. 3:11: Bourne follows Landy in a cab.  Landy begins a staff meeting as Bourne heads to the roof of a nearby building.  He puts Landy in his sights and calls her. Bourne ostinato modulated and with growing layers of rhythmic strings/percussion, low string accents/guitar. 4:38: Bourne asks Landy about Treadstone and she accuses him of murder.  Bourne reveals that he can see her. Ambient textures/beats, string cluster gliss, drum accent. (followed by 8)
7	2:48	New Memories	(Partially used) Bourne rides a train to Moscow and thinks about Marie. Held strings/poignant bassoon, developed. (followed by 10)
8	5:16	Berlin Foot Chase	0:00: Bourne escapes Berlin police by climbing to the hotel roof.  Landy arrives as Bourne walks away.  Synth/electronics rhythm, wooden flute theme, Bourne ostinato in strings, joined by additional percussion/string accents, string trills figure, rhythmic strings. 1:35: Bourne is seen on the street.  He eludes the police after an involved chase through a subway station. Bourne bass theme variation, Bourne ostinato develops with drums/percussion, building with low string accented rhythm/bass synth, accented strings rhythms, falling strings/piano accents, percussion into relaxed groove, hesitant rhythmic bursts on piano/low strings/electronics, electric guitar chord/ambient textures.
9	3:35	Alexander Platz/ Abbotts Confesses	0:00: Landy prepares to have Nicky meet Bourne at Alexanderplatz.  Nicky waits and is told to get on a tram by Bourne on the phone.  Bourne captures Nicky. Rhythm with low strings/electronics/percussion/piano/synth pulses/distant electric guitar, Bourne ostinato fragments in strings, developed as a faster groove with more drums, ambients/percussion. 2:03: In a hotel, Bourne corners Abbot and gets a confession on tape. Ambient textures/pulses/strings.  (followed by 7)
10	6:55	Moscow Wind Up	0:00: Bourne arrives in Moscow and gets into a cab.  Kirill is informed that Bourne is in town. Ambient texture/strings, vibraphone-hihat groove with relaxed Bourne ostinato variation in violins, joined by bassoon counter melody/low strings, groove with drums/electronics/percussion, Bourne ostinato returns, develops into accented rhythm, joined by full strings, fades. 3:16: Bourne stops at an apartment looking for someone.  The police approach and Bourne leaves.  Kirill shoots at (and hits) Bourne but is delayed by police.  Subdued groove texture with swelling strings, drum accents/percussion groove, rhythmic low strings, violins/electronics. 5:09: The police let Kirill go and he follows Bourne into the subway mall.  Bourne makes a mess in the mall obtaining supplies. Accented ethnic string rhythms/ornaments over electronic groove/drum accents, Bourne ostinato accented variation, etc.
11	5:09	Bim Bam Smash	Bourne steals a taxi and drives away.  Kirill commandeers a car and pursues.  The police pursue as well. Tribal drums with electronics/synth/electric guitar into electronica groove with electric twang guitar, developed with ethnic string accents/distorted electric guitar, taiko slams, low strings trills into tribal drums/string tremoli/percussion developing ethnic motif on synth/strings, Treadstone theme on guitar, Bourne ostinato modulating on strings with brass support, ending in brass accents.
12	1:36	Atonement	Bourne apologizes to the daughter of his first victims as a Treadstone assassin and leaves. Ambient textures joined by piano/celeste/relaxed strings (Goa beach theme) ending in held strings.
13	3:58	Extreme Ways (Moby)	Bourne says goodbye to Landy in NYC after telling her she looks tired on the phone. Moby song with male vocal over string accents/groove/electric piano/guitar/etc. ("I would stand in line for this, there's always room in life for this...Oh baby, oh baby...then it fell apart...like it always does...")

Links
John Powell Wiki Entry
John Powell IMDB Entry
The Bourne Identity Filmtracks Review
The Bourne Supremacy Filmtracks Review